CHILD OF MY CHILD was born in April, 2009, along with its flesh and blood twin, Josephine, 7 pounds, 6 ounces upon arrival.
In truth, we didn’t quite know at the time that a book had been born.
All of our attention was focused instead on one small child who had just reshaped our lives and changed our identities in ways we are still discovering. But it was inevitable that, sooner or later, we would look for a literary response to Josie’s life-changing presence, given our own backgrounds and sensibilities.
For me, Josie’s birth brought the seemingly straightforward passage into grandparenthood. That joy, however, was necessarily tempered by the awareness that her Grandmother Diana, my wife of nearly thirty years, did not live to see our only child become a father. For Sandi, who is now my wife, Josie brought joy as well, along with a flood of questions about the place she would have in Josie’s life as a step-grandmother.
We realized then that being a grandparent in the 21st century brings both timeless joys and sometimes harrowing challenges. Families fracture and recombine, often muddying traditional roles. For some, becoming a grandparent also means becoming a caretaker again.
For some, becoming a grandparent is an insistent call to look themselves or their own children in the face and take account. For others, not being a grandparent is a kind of loss. For many, that grandchild arrives bundled in equal parts hope and fear, because the baby’s parents may have struggled with substance abuse, financial or legal problems, or other demons. Sometimes, people become grandparents, but only learn that fact years later, as one poem here explores.
And, perhaps for all, the arrival of a new generation brings undeniable evidence of aging and mortality. That may be a particularly tough pill to swallow for the millions of Baby Boomers who have aged into this new role (and sometimes bristle at taking on traditional grandparent names).
When we decided to create this anthology and began soliciting contributions, Sandi and I suspected that some of these issues and concerns would be reflected and examined in the work we would receive. The mountain of submissions we received, however, brought many unexpected stories, too—along with much more excellent material than we possibly could use in a single volume. In assembling the collection, we have been blessed to have the always wise, sometimes surprising, sometimes challenging, prose and poetry of more than five dozen highly accomplished writers as our building material.
We are grateful to each of them and proud to include their work in CHILD OF MY CHILD.
That title, by the way, is borrowed from a wonderfully resonant image offered up, in slightly different forms, by two contributors to this volume: Barbara Evers and Karen Neuberg. It is both a powerful image in its own right and a fitting umbrella for the wide range of experience and emotion contained in this book.
A BRIEF NOTE TO JOSEPHINE, FROM DIANA
Kenneth Salzmann
Take this quilt and let it blanket you,
in comfort and in loss.
It was stitched just for you
six generations ago.
Ever since, these colorful threads
have run through the lives
of daughters, then mothers,
then grandmothers, then daughters.
Take this quilt and one day
spread it over your own children
and over their children,
in comfort and in loss.
Everything is changing, and will.
But these ancient threads are holding fast.
kensalzmann 